JazzBox Posted October 17, 2014 Share Posted October 17, 2014 Ciao! On most of my music videos I'm after a film-like aesthetics: I always try to keep the shutter speed at 180°, but I normally shot ad 25p, not at 24p. Do you think 24p is indispensable for a cinematic look? Or 25p is also ok? Thank you for your comments :) Link to comment Share on other sites More sharing options...
jgharding Posted October 17, 2014 Share Posted October 17, 2014 It's so close it looks just as cinematic really. It's mostly convenient for shooting in 50hz countries, so I use it in the UK for example. TBH I sometimes use it in the US too, at 150-degree shutter ;) JazzBox 1 Link to comment Share on other sites More sharing options...
JazzBox Posted October 17, 2014 Author Share Posted October 17, 2014 Thank you very much for your kind answer! The same 50hz here in Italy :) p.s.: I just saw Rupert Neve on your website... simply amazing! As recording engineer I love his 1073 preamp! :) jgharding 1 Link to comment Share on other sites More sharing options...
Guest Ebrahim Saadawi Posted October 17, 2014 Share Posted October 17, 2014 The visual difference isn't apparent, not even to highly skilled eyes. Link to comment Share on other sites More sharing options...
andy lee Posted October 17, 2014 Share Posted October 17, 2014 the most important thing for a cinematic look is the lens you use and the f stop you choose , that dictatate the look the most , I personally cant tell the differance between 25p and 24p visually JazzBox 1 Link to comment Share on other sites More sharing options...
JazzBox Posted October 17, 2014 Author Share Posted October 17, 2014 Thank you very much Ebrahim and Andy! :) Link to comment Share on other sites More sharing options...
jgharding Posted October 17, 2014 Share Posted October 17, 2014 Thank you very much for your kind answer! The same 50hz here in Italy :) p.s.: I just saw Rupert Neve on your website... simply amazing! As recording engineer I love his 1073 preamp! :) The interview with Mr Neve is for Sound On Sound, we've been collecting interviews for them recently, do keep an eye on the site next year ;) Rupert Neve designs kit is great too, check it out! JazzBox 1 Link to comment Share on other sites More sharing options...
andy lee Posted October 17, 2014 Share Posted October 17, 2014 I worked on a Neve V series with flying faders for many years - i produced alot of big hit records on that desk. http://www.discogs.com/artist/11911-Love-To-Infinity?type=Credits&subtype=Remix Hitfabryk and jgharding 2 Link to comment Share on other sites More sharing options...
JazzBox Posted October 18, 2014 Author Share Posted October 18, 2014 I worked on a Neve V series with flying faders for many years - i produced alot of big hit records on that desk. http://www.discogs.com/artist/11911-Love-To-Infinity?type=Credits&subtype=Remix Wow!! That's great! It's crazy that most of the people that shot videos also are involved in music! :) This is one of my fav. CD I recorded and mixed: http://www.irmagroup.com/it/ida-landsberg-cherry-tree-lane/http://www.amazon.co.uk/gp/product/B00H25UFKQ/ref=dm_ws_sp_ps_dp?ie=UTF8&qid=1413592709&sr=8-16 Link to comment Share on other sites More sharing options...
leeys Posted October 18, 2014 Share Posted October 18, 2014 And grading makes a difference too! Poorly graded 24p is still an eyesore. Link to comment Share on other sites More sharing options...
JazzBox Posted October 18, 2014 Author Share Posted October 18, 2014 That's true! And lighting/framing also plays a great part, but I was in doubt if using 25p was a bad habit :) Link to comment Share on other sites More sharing options...
JazzBox Posted October 19, 2014 Author Share Posted October 19, 2014 Rupert Neve designs kit is great too, check it out! Super cool! :) Link to comment Share on other sites More sharing options...
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