Jaime Valles Posted October 29, 2016 Share Posted October 29, 2016 Wow, I somehow missed this article when it came out almost 2 years ago. Fascinating stuff. Does anyone know if the banding issue is still in Premiere? And does it affect all 8-bit cameras or just the 1DC? Quote Link to comment Share on other sites More sharing options...
pablogrollan Posted October 29, 2016 Share Posted October 29, 2016 2 hours ago, Jaime Valles said: Wow, I somehow missed this article when it came out almost 2 years ago. Fascinating stuff. Does anyone know if the banding issue is still in Premiere? And does it affect all 8-bit cameras or just the 1DC? Si tu tarjeta es Nvidia -CUDA- no deberías tener ningún problema (al menos, generado por Premiere), yo no lo he tenido. Quote Link to comment Share on other sites More sharing options...
cameraeye Posted October 29, 2016 Share Posted October 29, 2016 12 hours ago, Don Kotlos said: Log profiles with low bitrate 4:2:0 8bit codecs should only be used when it is really (I mean really) necessary like high contrast scenes. More so with slog2/3 from Sony that is one of the most aggressive log curves out there. Shooting everything in slog with codecs like that is a common mistake that leads to banding and bad tonalities. Thanks very much for your reply. Would using an external recorder to gain 4:2:2 resolve the banding at all? Quote Link to comment Share on other sites More sharing options...
Cary Knoop Posted October 29, 2016 Share Posted October 29, 2016 Show a few seconds of the video before and after you rendered it in Premiere so we can all take a look. . Quote Link to comment Share on other sites More sharing options...
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