enny Posted March 12, 2015 Share Posted March 12, 2015 I know this camera has some issues but what camera does not i am seriously considering after watching this film it what comes out of this camera is dam beautiful. I been watching some shorts filmed on red cameras and side by side i really love black magic 4k it has this film fell to it i really cant put my finger on it. Quote Link to comment Share on other sites More sharing options...
Julian Posted March 12, 2015 Share Posted March 12, 2015 Didn't you just get a Red One? Quote Link to comment Share on other sites More sharing options...
IronFilm Posted March 12, 2015 Share Posted March 12, 2015 Yeah those two cameras (RED One and BMPC4K) have quite the overlap, getting one or the other makes sense. No point having both however! Quote Link to comment Share on other sites More sharing options...
froess Posted March 13, 2015 Share Posted March 13, 2015 it was shot on the cinema camera according to the director:"Lens choice was mainly old nikon primes (ais). Love their look and feel. I used the BMCC 2,5k mft model with a speed booster. So for the wider stuff I used the sigma 18-35mm 1,8, which I think is one of the best lenses in low-budget filmmaking." Quote Link to comment Share on other sites More sharing options...
andrgl Posted March 13, 2015 Share Posted March 13, 2015 Lights mainly HMI (2x 575, 1x 1,2kw) - some LED's for the night exterior stuff. Also some tungsten for interior (in the cabin).Outside we worked mainly with reflectors which worked well.Lenses - old Nikon AIS primes.. i love those..Camera - Blackmagic Cinema Camera with MFT and Speedbooster. For the aerials we used a pocket.Source: http://www.cinematography.com/index.php?showtopic=66581&p=425881Irrefutable proof that the Cinema Camera and Pocket Cinema Camera produce the best picture under $2000. Lighting and composition are the cornerstones to producing filmic work. So is grading. 13 stops of RAW is an incredible canvas and medium to work with.The counter arguments to these cameras are so laughable. It all comes down to effort. These cameras are "hard" to work with because they take just a little more time to work with. What's ironic is that producing filmic works always takes a little more effort. If you're not constantly chasing for that extra little bit, you're producing schlock. If a camera makes X easy, then you should be tackling Y. No camera should let you settle. This work isn't easy. maxotics, mtheory, froess and 1 other 4 Quote Link to comment Share on other sites More sharing options...
Ed_David Posted March 13, 2015 Share Posted March 13, 2015 god that is beautiful stuff. Quote Link to comment Share on other sites More sharing options...
enny Posted March 13, 2015 Author Share Posted March 13, 2015 Didn't you just get a Red One?yes red one mx also looking for camera b and another red will be to much or to heavy and to much crap to take care of Quote Link to comment Share on other sites More sharing options...
enny Posted March 13, 2015 Author Share Posted March 13, 2015 interestingit was shot on the cinema camera according to the director:"Lens choice was mainly old nikon primes (ais). Love their look and feel. I used the BMCC 2,5k mft model with a speed booster. So for the wider stuff I used the sigma 18-35mm 1,8, which I think is one of the best lenses in low-budget filmmaking." Quote Link to comment Share on other sites More sharing options...
mtheory Posted March 13, 2015 Share Posted March 13, 2015 A BMCC with a speedbooster is a powerful movie machine indeed. Quote Link to comment Share on other sites More sharing options...
Jimmy Posted March 13, 2015 Share Posted March 13, 2015 That opening shot was so beautiful and really set the tone for the film. Fantastic.I have been watching alot of BMPC videos of late, trying to work out whether to buy one or wait for NAB.... I wonder if the global shutter has something to do with the filmic feel of all the pieces I see. I has a certain mojo, no doubt about it and the DR seems very good still. Quote Link to comment Share on other sites More sharing options...
Geoff CB Posted March 13, 2015 Share Posted March 13, 2015 That opening shot was so beautiful and really set the tone for the film. Fantastic.I have been watching alot of BMPC videos of late, trying to work out whether to buy one or wait for NAB.... I wonder if the global shutter has something to do with the filmic feel of all the pieces I see. I has a certain mojo, no doubt about it and the DR seems very good still.This was shot on the Regular Cinema Camera, no global shutter, just clean motion. Quote Link to comment Share on other sites More sharing options...
Jimmy Posted March 13, 2015 Share Posted March 13, 2015 The title says BM4K?But the BM4K footage I have been viewing on vimeo has a certain magic to the motion, I am sure the global shutter helps the so called cadence. Quote Link to comment Share on other sites More sharing options...
Flynn Posted March 13, 2015 Share Posted March 13, 2015 The title says BM4K?But the BM4K footage I have been viewing on vimeo has a certain magic to the motion, I am sure the global shutter helps the so called cadence. BMCC 2.5kDirector talks about it here. http://forum.blackmagicdesign.com/viewtopic.php?f=2&t=33009 Julian 1 Quote Link to comment Share on other sites More sharing options...
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