Ed_David Posted June 2, 2015 Share Posted June 2, 2015 Your opinions did really affect me and you were right - so I made shots that hold longer . Thank you guys for the feedback! Nick Hughes, Inazuma, John Palmer and 1 other 4 Quote Link to comment Share on other sites More sharing options...
mercer Posted June 2, 2015 Share Posted June 2, 2015 Is that one model the girl from breaking amish? Quote Link to comment Share on other sites More sharing options...
mercer Posted June 2, 2015 Share Posted June 2, 2015 Oh yeah, it looks great. Quote Link to comment Share on other sites More sharing options...
dahlfors Posted June 2, 2015 Share Posted June 2, 2015 Beautiful! Quote Link to comment Share on other sites More sharing options...
Ed_David Posted June 2, 2015 Author Share Posted June 2, 2015 Is that one model the girl from breaking amish?yes she is!thanks guys, again for your help. mercer 1 Quote Link to comment Share on other sites More sharing options...
Wulf Posted June 2, 2015 Share Posted June 2, 2015 really really good, nearly worldclassat least until ~ 40 sec, when it start struggling a little bit, but still fine Quote Link to comment Share on other sites More sharing options...
jax_rox Posted June 2, 2015 Share Posted June 2, 2015 What glass did you use on this? Quote Link to comment Share on other sites More sharing options...
Ed_David Posted June 3, 2015 Author Share Posted June 3, 2015 I used red zoom 18-50, red zoom 50-150 and a 50mm zeiss contax rehoused glass and a 100mm macro rehoused for PL Quote Link to comment Share on other sites More sharing options...
ricardo_sousa11 Posted June 4, 2015 Share Posted June 4, 2015 IT looks amazing ! tell us more how you achieved those colors ! Quote Link to comment Share on other sites More sharing options...
Ed_David Posted June 4, 2015 Author Share Posted June 4, 2015 thanks we used kino flo speciality colored bulbs - pink, yellow, in the studio and just a 1x1 litepanel with minus green gel on it.Grade was a modified slog with a kodak 200T conversion to cineon color space then applied a Kodak film print emulation to finalize it.DIdn't do too much secondary color correction. We flared the lens a lot and used prisms to cause refractions and other interesting in camera effects. Quote Link to comment Share on other sites More sharing options...
Nick Hughes Posted June 4, 2015 Share Posted June 4, 2015 thanks we used kino flo speciality colored bulbs - pink, yellow, in the studio and just a 1x1 litepanel with minus green gel on it.Grade was a modified slog with a kodak 200T conversion to cineon color space then applied a Kodak film print emulation to finalize it.DIdn't do too much secondary color correction. We flared the lens a lot and used prisms to cause refractions and other interesting in camera effects.What's your process for using prisms- do you pretty much just hold it in front of the glass? Do you buy speciality prisms or just tend to find them randomly? Quote Link to comment Share on other sites More sharing options...
Ed_David Posted June 4, 2015 Author Share Posted June 4, 2015 just bought some $10 ones off amazon - just type in "prism" and it pops up. just hold it randomly and try moving it to grab the most interesting refractions. Quote Link to comment Share on other sites More sharing options...
ricardo_sousa11 Posted June 5, 2015 Share Posted June 5, 2015 Absolutely love your style and work, I am usually very critic about the people I follow, but you have the type of look and style, that I find perfect, and you're kind of my idol now Im upgrading to the NX1 (the NX1 video was the 1st I saw from you), and you seem to have liked the camera very much, now that you've had more time to play around, what do you think about it ? Keep going, and share your videos, its always a bliss to watch them ! Quote Link to comment Share on other sites More sharing options...
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