Framed_By_Dan Posted October 12, 2024 Share Posted October 12, 2024 10 Bit is always going to be better than 8 Bit when correcting Log. That said it is dependent on codec and bit rate too. Ive always felt a Lumix 8 Bit file, regardless whether it's H.264 or H.265 is so much thicker and easier to work with than any Sony A7 whatever rubbish. Another factor is your software of choice. Premiere Pro is not a colour grading software, Lumetri sucks. Davinci on the other hand is so much kinder to weak codecs, much less banding and colour artefacts when you try to stretch things like correcting white balance and tint. Clearly better algorithms that are much more forgiving. zlfan 1 Quote Link to comment Share on other sites More sharing options...
John Matthews Posted December 27, 2024 Share Posted December 27, 2024 Emanuel and ntblowz 2 Quote Link to comment Share on other sites More sharing options...
Emanuel Posted December 29, 2024 Share Posted December 29, 2024 On 12/27/2024 at 6:53 PM, John Matthews said: Under certain circumstances, there are obvious disparities like banding as for instance ; ) Skin tones e.g. is another case where distinct colour information makes a whole of a difference to separate waters and it is possible to see right there : ) Other than that, 8-bit can obviously perform the job :- ) John Matthews and zlfan 2 Quote Link to comment Share on other sites More sharing options...
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