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Prove me wrong... 10bit is a load of B****cks


Andrew Reid
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10 Bit is always going to be better than 8 Bit when correcting Log. That said it is dependent on codec and bit rate too.

Ive always felt a Lumix 8 Bit file, regardless whether it's H.264 or H.265 is so much thicker and easier to work with than any Sony A7 whatever rubbish.

Another factor is your software of choice. Premiere Pro is not a colour grading software, Lumetri sucks.

Davinci on the other hand is so much kinder to weak codecs, much less banding and colour artefacts when you try to stretch things like correcting white balance and tint. Clearly better algorithms that are much more forgiving.

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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

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  • EOSHD Pro Color 5 for All Sony cameras
    EOSHD C-LOG and Film Profiles for All Canon DSLRs
    EOSHD Dynamic Range Enhancer for H.264/H.265
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