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Greatest time savers on video shoots


zerocool22
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Hi,

Now NAB is coming along pretty soon, I fear the GAS is starting again to peak my interesting in shooting once more. So this time I might create a list of things that I want/need before I yolo in again. But I feel a bit older, and I want to simplify my life and want to save time each shoot. 

- Improvement on DR
- Improvement on color science
- 4K full frame 60FPS
- internal ND's: My next camera should have internal ND's again, it saves so much time searching, mounting VARI-nd's or matteboxes. So prolly my main requirement.
- Good internal audio: I don't like dragging along my Zoom H6 along anymore, so recording audio straight into camera might also be a big thing for me. (at least panasonic has an addon for their mirrorless cameraes).
- Good internal monitor, this is one of the main attractions of enjoying a camera for me. I don't feel motivated shooting with a camera while the internal monitor sucks. If it is a good monitor I am so more hyper to start editing. If not, then I will keep postponing it to the last minute.
- good battery life, I don't like changing battery's every 30 minutes.
- body on the smaller end, as it easier to mount on sliders, gimbals, tripods etc.
- if the body is too small, it will endure lots of micro jitter so in that case I will need some IBIS.  
- recording onto SD or cfast (as that is an medium I have lots of cards for). 
- lastly and least important is AF I think. 

 

Maybe I am already missing some stuff that you guys think that is a huge time saves, please let me know! (also hope someone will launch an affordable 600W COB light)

cheers

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EOSHD Pro Color 5 for Sony cameras EOSHD Z LOG for Nikon CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

In no particular order...

Tools that simply 'get out of the way' as much as possible which can be summarised as:

1. Little or need to faff about with them, - they simply do what you expect and need them to do.

2. Reliable ie, don't shut off due to overheating etc and don't need to be nannied in that regard.

3. Portability both in terms of amount of kit and the portability/set up/use of each bit of it as part of the whole.

4. Probably more personal to me than many others but the ability to burn my LUT directly into the files is less of a timesaver on the shoot, but is pretty big overall for the entire project.

5. Fast and accurate AF for me is a must for about 5% of my work but that 5% is critical so dictates I need fast and accurate AF.

6. Minimal lens swaps so generally zooms beat primes for me for simple convenience.

Stuff I don't care about:

A. Internal ND. Yes it would be nice to have, but no biggie for me spinning a VND as and when.

B. Hi res LCD. Yes, I'd prefer it to be but as long as it has decent enough clarity and brightness for super sunny days and as long as I trust the camera based on what I can't see...

C. Full frame video. I'd be quite happy with a dedicated APSC/S35 system, but even happier shooting FF open gate 6k 30p as at present. Stills, less so. I'd struggle now to go back to anything less than 45mp FF for photo.

 

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1) good directors who actually know what they want and are flexible if whatever they want is outside the scope.

2) as many good crew members as you want who are better at the technical minutae than you.

3) realistic planning and budgetting from production

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For me it's all about reducing my doo-dads and streamlining operation. 

1) Great AF

2) Great LCD/EVF

3) Built-in exposure assist tools

4) Versatile lens — I use the Samyang 35-150mm for event work. It's marvelous.

5) Quick transition from stills to video

6) Good battery life OR cheap small batteries OR both 🙂

7) A nice half cage and handle

8). Record button on the front or assignable to the lens

9) Wireless mics with small transmitters — PicoMic is awesome!

10) Open gate is nice

BONUS since I can't stop talking about the S1Rii it seems. I'm excited that it has lower base ISOs so I don't have to reach for my VND as much, but it also has great high ISO performance for indoor, apparently.

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I have my two C70s dialed in so precisely to my needs that even after ~5 years, I can't imagine replacing them. One of them is built up for handheld operation, and the other is stripped down for travel. So, I really don't need anything else at this point.

That being said, an updated version of the Canon EF-S 17-55mm f2.8 in RF mount would be a no-brainer for me. They could even use the same glass from the older version and just update the AF.

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  • EOSHD Pro Color 5 for All Sony cameras
    EOSHD C-LOG and Film Profiles for All Canon DSLRs
    EOSHD Dynamic Range Enhancer for H.264/H.265
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