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What is the maximum number of cameras you need


Andrew Reid
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20 hours ago, mercer said:

 

As a hobbyist, it becomes a bit tougher to justify multiple cameras compared to someone who is making money with their tools

 

To some extent I disagree. As a hobbyist I am always wanting to try something different - not being constrained by what I need to do. And, inevitably, that gets me thinking about what I need to buy to do it. Ok, yes, it isn’t possible to “justify” it but my cupboard tends to fill up with bits and pieces I used (probably badly) once. As a hobby it’s fun to play and having toys make playtime so much more fun. But you are correct, it isn’t justified. I’ll stop…

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46 minutes ago, Snowfun said:

To some extent I disagree. As a hobbyist I am always wanting to try something different - not being constrained by what I need to do. And, inevitably, that gets me thinking about what I need to buy to do it. Ok, yes, it isn’t possible to “justify” it but my cupboard tends to fill up with bits and pieces I used (probably badly) once. As a hobby it’s fun to play and having toys make playtime so much more fun. But you are correct, it isn’t justified. I’ll stop…

Don't get me wrong, I agree wholeheartedly. I love cameras and want to try them all. But I am fairly poor, so I need to only have what I need. So, for me, as a hobbyist, wannabe, narrative filmmaker, I can only justify so much.

That said... I have been itching to try something new. Have been thinking about looking at cameras and their picture profiles like different film stocks as opposed to shooting Log and creating a look in post. I suppose the smartest path would be Fuji for that endeavor.

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1 hour ago, mercer said:

That said... I have been itching to try something new. Have been thinking about looking at cameras and their picture profiles like different film stocks as opposed to shooting Log and creating a look in post. I suppose the smartest path would be Fuji for that endeavor.

Sure but why limit yourself to the 8 or 9 film simulations only two of which are cinema film stock? The best for that approach would be LUT recording enabled cameras, assuming you have a favourite/custom LUT collection in your NLE. S9 has as far as I know best implementation with stackable LUTs, opacity etc and a phone app to edit/manage them. I think you can even add film grain to video. you can also use the LUTs on stills which is pretty cool as it even differentiates log from standard sources. 
 

I really hope more manufacturers use this approach. Never been a fan of stock picture profiles especially for video. 
 

 

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1 hour ago, Django said:

S9 has as far as I know best implementation with stackable LUTs, opacity etc and a phone app to edit/manage them. I think you can even add film grain to video. you can also use the LUTs on stills which is pretty cool as it even differentiates log from standard sources

Yep and this may have also been in the most recent S5ii firmware? Not sure…

 

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