Emanuel Posted September 22, 2015 Share Posted September 22, 2015 Is there really such a big difference between 4k vs 4.5k ? If you use anamorphic glass, it is between 5K and 6K. Count with more detail going on downsampled 4K. Quote Link to comment Share on other sites More sharing options...
Hans Punk Posted September 27, 2015 Share Posted September 27, 2015 IronFilm 1 Quote Link to comment Share on other sites More sharing options...
Ed_David Posted September 27, 2015 Share Posted September 27, 2015 that's nuts - it has no audio in or out. man curious if these guys have used a c300 or fs7 before? Mid range productions usually like to record audio into them. Lord help us all. Emanuel 1 Quote Link to comment Share on other sites More sharing options...
neosushi Posted September 28, 2015 Share Posted September 28, 2015 that's nuts - it has no audio in or out. man curious if these guys have used a c300 or fs7 before? Mid range productions usually like to record audio into them. Lord help us all.Hey Ed : ) but thats the thing I don't think the Raven is aimed as "traditional" mid-range productions, but more for "mid-range filmmakers" who want the red "mojo" for their film no-matter-what vs FS7/Ursa mini all-rounder cameras - ready for the wild. Now I don't know/understand in terms of market who is really going to go for the Raven... rich kids wanna be directors dropping off filmschool shooting their first short film ? Most companies I know tend to rent instead of buying the high-end gear (red or sony pro line). I'm very curious to see what the profile of the buyers will be. Personally I would never pre-order anything. I don't buy before I have seen what this thing can produce in terms of image. Heck even the Ursa mini 4.6k with its new sensor. Quote Link to comment Share on other sites More sharing options...
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