Browsing: 2.5k

Crop mode is covered in my 106 page EOSHD 5D Mark III Raw Shooter’s Guide on 5D Mark III raw video here Above – EOSHD “raw rig” above is comprised of the Lanparte BMCC cage with 5D Mark III and LanParte follow focus / carbon matte box from HDVideoShop Slashcam and I set out to test the 5D Mark III’s crop mode as precisely as possible using a chart – it is…

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[vimeo]http://vimeo.com/66574661[/vimeo] Get the EOSHD Anamorphic Shooter’s Guide for a comprehensive guide to anamorphic lenses, which ones to use, how to get them and how to shoot Download the 2.5k 2560×1280 Vimeo file and playback on a 2.5K or 4K display for best results Download a pack of DNG frames from the original raw files to judge quality The spec sheet is impressive. 14bit linear bayer raw is sub-sampled from a 6K…

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[vimeo]http://vimeo.com/53821829[/vimeo] In a joint shootout with Slashcam in Berlin, EOSHD put the Blackmagic Cinema Camera into a bear pit against all rivalling cameras between $500 and $4000. It was a clear day and the results are just as stark. Download the full 2.5K shootout video. Here’s my verdict on which camera you should buy – based purely on image quality. The following cameras are in this test: Blackmagic Cinema Camera (retail) Panasonic…

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[vimeo]http://vimeo.com/48085024[/vimeo] DOWNLOAD 2.5K BLACKMAGIC H.264 FOOTAGE HERE (Important: on the Vimeo page for this clip, click download to get the 2.5K 80Mbit clip. Don’t bother watching it full screen from the stream as it is a pale imitation of the full 2.5k file) I’ve been experimenting today with Blackmagic Cinema Camera workflows. I use Adobe Premiere as my main NLE. I am not an FX guy so rarely use After…

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Above: my first go at grading the Blackmagic Cinema Camera raw output The above frame is scaled to 660 pixels wide for the blog. Click here to view the full 2400 x 1350 frame in your browser and another full frame here John Brawley and Blackmagic Design today released the first raw DNG files from the camera. Here’s my take on how the raw camera stands up.

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