[vimeo]https://vimeo.com/159699501[/vimeo] Comment on the forum The new titanium PL mount SLR Magic Anamorphot cinema lenses are designed for RED users, Canon and Arri professionals. They’re also a great fit for the Sony A7S II and Samsung NX1.
Browsing: 50mm
[vimeo]http://vimeo.com/38339934[/vimeo] The Leica M Noctilux which costs $11,000 is a full frame F0.95 photographic lens. The SLR Magic HyperPrime CINE T0.95 is a full frame F0.92 lens designed for cinematographers with Leica M mount which retails for $3,000 – a third of the Noctilux. It is quite a different lens to the Voigltander Nokton 25mm F0.95 for Micro Four Thirds. It covers a full frame sensor and APS-C mirrorless cameras like…
Matthew Duclos reports that he’s modified a Nokton 25mm F0.95 for film industry use. It has several standard features of a cine lens. Seamless follow focus gear 80mm front ring De-clicked aperture ring
I recently picked up a Carl Zeiss 50mm F1.4, not the newer one but an older Rollei mount similar to the Contax Zeiss version. The HFT coating was what Zeiss called T* coating on the Rollei lenses. It was designed to go on a Rolleiflex SL35 35mm film camera.