[vimeo]http://vimeo.com/69803484[/vimeo] Red shooter Ryan Lightbourn has been shooting with the Red Scarlet-X and raw 5D Mark III on the same production. His aerial shots reveal very little difference between the cameras but also some striking observations regarding the 5D Mark III’s raw prowess.
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[vimeo]https://vimeo.com/69294861[/vimeo] Turning blue blood green with raw on the 5D Mark III. A dying woman wakes deep in a strange place, a wounded dancer wanders crumbling hallways. All footage was shot between 1250 and 5000 ISO. Andrew Wonder (Undercity / blog) has just released a narrative short film shot in anamorphic (a modified Iscorama called the Wonderscope) on the 5D Mark III in raw. Here is a guest post from Andrew on…
Crop mode is covered in my 106 page EOSHD 5D Mark III Raw Shooter’s Guide on 5D Mark III raw video here Above – EOSHD “raw rig” above is comprised of the Lanparte BMCC cage with 5D Mark III and LanParte follow focus / carbon matte box from HDVideoShop Slashcam and I set out to test the 5D Mark III’s crop mode as precisely as possible using a chart – it is…
Dispelling the myths – optimising performance – never read another endless forum post again! [wp_eStore_buy_now:product_id:3:end] Payment via PayPal, just $19.99 (usual price $29.99) My third book launches today. It is available to download immediately and for the first week you can get 33% off the usual price making it just $19.99. It is an enormous 12 chapters and 106 pages.
Rarevision are the creators of 5DToRGB, and developer Thomas Worth has today released an early beta version of their converter for 5D Mark III raw files on the Mac.
[vimeo]http://vimeo.com/67513738[/vimeo] Fancy grading yourself? Download my pack of original files from the 5D Mark III and KineRaw S35. The file contains selected Cinema DNG frames and CineForm RAW .Mov clips from both cameras. The Kinefinity KineRaw S35 is the most complete debut camera I’ve ever seen. Packed with features, it simply doesn’t feel like an S35 version 1.0.
A professional workflow for 5D Mark III raw is now available. GoPro CineForm Raw offers 10:1 compression and can be edited directly in Adobe Premiere and Blackmagic DaVinci Resolve 9. Adobe Cinema DNG brings a Blackmagic Cinema Camera style workflow to the 5D Mark III and is ideal for grading uncompressed raw in DaVinci Resolve.
Image by Daniel Schweinerr (5D Mark III SSD attachment research) The EOSHD 5D Mark III Raw Shooter’s Guide – book now available Raw video recording on the 5D Mark III has been met with an overwhelming reception from users and a fantastic reception from most pros. Some are more guarded as they think their camera will blow up. What are the facts?