[vimeo]http://vimeo.com/64917111[/vimeo] Is it any better? Rather than spoil the surprise please do go ahead and watch the short test video. You can download the original file at Vimeo here.
Browsing: 5d mark iii
Magic Lantern have uncovered a DNG output in live view on the 5D Mark II and 5D Mark III. At the moment it doesn’t record video but it is expected to be capable of 24fps. The Live View Raw Buffer on the 5D Mark II allows for a 2040 x 1428 DNG stream, and the team are researching the same feature on the 5D Mark III.
The Panasonic GH3 was a big update over the legendary GH2 and I am putting the final touches to my review (and a lot of other future material). I’ve been shooting a lot with it alongside by cinema cameras, the FS100 and Blackmagic Cinema camera. Where are the Panasonic pro cameras? Well the GH3 is $1300 and that leaves quite a large space above it for a high spec ‘DSLR-type’…
https://vimeo.com/59832019 UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots The Nikon D5200 is the best mid-range Nikon yet for video. What is more of a surprise is the relish in which it takes on the much more expensive 5D Mark III, Panasonic GH3 and Nikon’s own flagship…
The Cinema EOS range for pros seems to be a blazing success. It isn’t that the C300 has the best image or the best technology, it is one of those products where the yin and yang is so perfect it ‘just works’. How can Canon bring the same magic to the prosumer market?
[vimeo]http://vimeo.com/57901943[/vimeo] Buy the E-mount Metabones Speed Booster – $599 for Canon EOS lens adapter, $399 for others The Metabones Speed Booster adapter brings the full frame look to Sony mirrorless APS-C and Super 35mm E-mount. (Indeed it will bring the Super 35mm look to Micro Four Thirds but not until March). It also gives you an extra stop of light. F2.8 becomes F2.0 and F2.0 becomes F1.4. F1.2 becomes a…
Speed Booster at 35mm F1.0 on the Sony NEX 7 With the Metabones Speed Booster APS-C and Super 35mm sized sensors have taken a barrelling charge up to the door of full frame. Does it blow the doors off?
Canon entered the indie filmmaking market in 2009 with the 5D Mark II whether they intended to or not. The live view stills mode enabled a rudimentary video feature. This provided the basis for a whole new business, that ignores completely the indie filmmaker.