Starting with number… 5. Sony RX100 [vimeo]http://vimeo.com/45682834[/vimeo] Get the full countdown after the break…
Browsing: 5d mark iii
[vimeo]http://vimeo.com/53642599[/vimeo] Last month I was invited by Panasonic to shoot a documentary for a skatepark in Hamburg, as an opportunity to test out the GH3 and offer some feedback on the camera. Here, thanks to Simon Sticker of Flow Media, a filmmaker given the unenviable task of editing together the footage, is the finished piece! How does the GH3 compare to it’s main rival in the Canon camp for video,…
[vimeo]http://vimeo.com/53821829[/vimeo] In a joint shootout with Slashcam in Berlin, EOSHD put the Blackmagic Cinema Camera into a bear pit against all rivalling cameras between $500 and $4000. It was a clear day and the results are just as stark. Download the full 2.5K shootout video. Here’s my verdict on which camera you should buy – based purely on image quality. The following cameras are in this test: Blackmagic Cinema Camera (retail) Panasonic…
[vimeo]http://vimeo.com/52338565[/vimeo] The Canon 135mm F2L is at the moment my favourite lens on full frame. For the kind of shooting I am doing here, I wanted to stand back from the scenery and punch in. How does it perform?
Get the new firmware here for the 5D Mark III The 2nd Alpha release of Magic Lantern for the 5D Mark III brings a very useful feature for anamorphic shooters such as I, a real-time anamorphic aspect ratio preview in live view. This is extremely useful for shooting bare bones with an anamorphic lens, or for those with no monitor / EVF that supports anamorphic de-squeeze.
Go here to download the file (you must be a donator to access it, large or small it doesn’t matter) The first Alpha version of the 5D Mark III Magic Lantern port has been outed. 5D Mark III owners can give it a go. I am going to try it myself (thanks Alex). The initial feature-set is quite small, and there’s no bitrate tweaks yet. These will be added later…
Check out the Blackmagic Cinema Camera versus 5D Mark III footage and blog post at EOSHD here With both cameras around the $3000 with a Canon lens mount, and the DSLR being such a popular choice for video, I thought I’d examine the reasons for buying one or the other. Which should you choose?
Imagine if every photo was lit using a flash gun, well the same goes for cinematic scenes. Often some of the most interesting and varied light is already right in front of you. Not everything has to be studio light rig based. I don’t think of ‘lighting a scene’ as always directly controlled, often it is wild. Lighting you can control is only half of the cinematographer’s job and so…