https://www.youtube.com/watch?v=U3yxu5qfras Most mirrorless cameras aimed at filmmakers are so much alike these days, so does the X-H2S stand out? The X-H2S assumes flagship status over the X-T4 for both stills and video users. It remains to be seen whether there will be an 8K resolution X-H2R later, for the high resolution stills and video crowd. I’d love to see progress with the long list of features that matter more than…
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Comment on the forum There are some things in life that are only highly rated in your head and yours alone. You stand drowning in a sea of indifference, trying to convince the resident Kanye West mouthbreather to listen Dream Theater’s first album. With cameras for example, I’ve stood in the sea of indifference myself for a long time with the waves of stupidity lapping at my feet, making my…
Comment on the forum Panasonic S1H owners today can start recording in high-end cinema camera standard 6K 12bit ProRes RAW via HDMI to the Atomos Ninja V. Unlike many ProRes RAW HDMI outputs this one is a full pixel readout from a native 6K sensor, with dual gain circuitry and incredible low light performance. Most cameras have to pixel bin to achieve 12 bit colour depth in their 4K RAW…
Comment on the forum In my opinion the Sigma Fp was a great camera milestone for creative shooting. As the first Sigma camera to shoot cinema quality 4K and the first full frame stills camera to record 4K RAW internally to SD card, Sigma have gained the attention of filmmakers and set a tone for a very bright future.
https://www.youtube.com/watch?v=joPtOgG9SeY&feature=emb_title Comment on the forum Above you can see an advert for RAW on the S1H shot in my home town of Manchester. Coincidentally these streets were where I shot with the Panasonic GH1 for the first time. I have fond memories of 10 years ago in the months leading up to EOSHD’s first blog post, taking my GH1 out on the same streets as featured in the Atomos video.…
Comment on the forum Rumours have gained pace all over the place about the X-T4 and the discontinuation of the X-H2. I have to say this makes perfect sense if the X-T4 is going to be an X-H2 anyway in video terms. 10bit 6K/60p anyone?
https://www.youtube.com/watch?v=CFoUYlW3d-8&feature=youtu.be&fbclid=IwAR2wS6-jp9he0NC52r_fBx4cbYn3dpjMtK8FBX9C0rSX2IgEen9aJ8nRHr4 Comment on the forum Incredibly close between these two. I have a Panasonic S1H with me at the moment, and am getting to know it. Meanwhile the Z-CAM, I had the briefest of hands-on at IBC and will be posting some footage from it. Both cameras are capable of 6K H.265 internal recording from a full frame sensor, and both are at the lower priced-end of the pro-cinema market.
Comment on the forum How about a new kind of camera benchmark – Netflix. Their production guidelines for original 4K content have been updated to include the Panasonic S1H. According to Netflix the S1H’s image in DCI 4K mode at 400Mbit 10bit 4:2:2 ALL-I plays in the same ballpark as pro cinema cameras costing many times more.