https://vimeo.com/235267436 Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99) Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander These magic settings are a MUST HAVE. Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look…
Browsing: a7r ii
https://vimeo.com/233905206 Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99) I am pleased to announce that a year after the original, there is a major update to EOSHD Pro Color for Sony cameras. In addition to the new Pro Color 3.0 with additional profiles, I am launching EOSHD Pro LOG as well. This takes all the advantages of Pro Color into an easy to grade C-LOG-like…
Does it make sense?
Mattias Burling on the EOSHD Forum is giving us his impressions of the new Kipon / BavEyes medium format focal reducer for Sony’s full frame cameras. If all goes well, this will give the prized medium format look on full frame.
Download now for just $14.99 ($29.99 usual price) Introducing EOSHD Pro Color EOSHD Pro Color is a highly optimised in-camera profile for your Sony camera, to deliver punchy Canon-like 4K and 1080p straight out of camera. Dump the default settings and fix a host of colour issues. Apply once. Shoot. These colour correction settings are easy to apply and fundamentally change the image processor’s approach to color and white balance, lending an artists’s eye to…
The video crop factors of the current 4K cameras, and an easy way to calculate crop factors…
I reduced the price of the Panasonic GH4 Shooter’s Guide last week to just $9.99 and it has sold well, therefore I am extending the half-price sale to the entire range of EOSHD Shooter’s Guides for the next 7 days only. If you’re looking to dive deeper into your camera knowledge or are even just curious about what the books offer – now is the perfect time.
[vimeo]http://vimeo.com/150618927[/vimeo] The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec. Just how good or bad is it?