Comment on the forum Sony has confirmed that the A7S III is finally on the way this Summer, likely in July to coincide with the big Canon rivals – EOS R5 and R6. I have some more information on what we can expect from the new flagship full frame mirrorless cameras.
Browsing: a7s
Comment on the forum NAB and IBC have been and gone. No A7S III. In Sony’s most recent marketing presentations, they outline a three-pronged strategy for cameras – “Basic”, “Resolution” and “Speed”. This is a change from the previous strategy of “Basic”, “Resolution” and “Low Light + Video” and with the A7 III having such good low light and video capabilities, will Sony bother with an A7S III?
https://www.youtube.com/watch?v=teGLWCt7Y-Q Comment on the forum One of the most common problems with S-LOG 3 is that it’s very counter-intuitive to expose it! Harv Video/Audio Stuff on YouTube says he is getting far better results with far less noise in the shadows with his technique, shown in the video above. I highly recommend trying it yourself.
https://vimeo.com/235267436 Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99) Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander These magic settings are a MUST HAVE. Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look…
The Sony A7S II has arrived at EOSHD. Does it impress? Yes. Before my full review, I can give you an initial brain-dump of what I have noticed so far.
[youtube]http://www.youtube.com/watch?v=t6kSMd78oTU[/youtube] Timelapse photographer and EOSHD Forum user Davide Roveri has shot a revealing low light test of the new A7R II.
[youtube]http://www.youtube.com/watch?v=ffGBavFPXvw[/youtube] Berlin based band Bunny Suit (follow here on Facebook / SoundCloud) recently went into Temeplton Studio to lay down some tracks. We decided to shoot a live video of the recording which would then be synced up perfectly with the final mix of the tracks in post. The Sony A7S in this shoot is graded using the lovely “Manchester” LUT from James Miller’s Deluts pack. But there were 6 other cameras…
In my opinion these are some of the best adapters currently on the market for Canon & Nikon glass. They take a normal Canon or Nikon lens and turn it into a PL mount (positive locking) with no play between the mount and lens.