Browsing: arri

[vimeo]http://vimeo.com/90913653[/vimeo] Test footage shot by Frank Sauer and Andrew Reid Something I have discovered while editing all this GH4 4K material is that the 8bit codec Panasonic uses is quite complex and requires more power than ProRes. I have also found that the sequence settings and video proxy settings in Premiere are a good thing to pay attention to this time… the default ones no longer cut it. Along the way…

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[vimeo]http://vimeo.com/74444377[/vimeo] Full information on the AMIRA can be seen at CVP Looking at the Oscar nominations recently at EOSHD, with not a Red camera in sight, it’s clear Arri are a run-away success in the filmmaking industry. Now Arri are gunning for the Canon C300 and C500 with a camera which could seriously erode the market for Cinema EOS cameras at the high end of the broadcast and single-operator videographer market. The…

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  SetLife Magazine (a recommended follow on Facebook) has compiled technical specification slates showing us who shot on what when it comes to the big 2014 Oscar nominees. Interestingly Arri cameras still sweep the board. There are also nods to the Cinema EOS cameras and even the GoPro, but the really surprising thing is not a single one of the films were shot on RED.

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Interview with James Cameron at IBC 2011 – “Sterographers and 3D convergence pullers are history” It’s interesting that at the highest level of digital cinema hardware two DSLR video trends have become the cornerstone of the new Arri Alexa designs. Downsizing and anamorphic.

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