A French rental house tries lenses on the Blackmagic Cinema Camera (La Blackmagic Camera passe chez PhotoCineRent) Here I have rounded up all the lenses I have in mind for achieving a wide angle on the 2.3x crop sensor of the Blackmagic camera.
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Photokina is less than a month away now and it is going to be a busy time. I will be there to get my hands on the new cameras, and I don’t think I can remember a month like this with such exciting products being released. Sony’s full frame camcorder the VG-900 will have a mirrorless mount, all in a video camera form factor for ÂŁ2.5k and of course we…
[vimeo]http://vimeo.com/48085024[/vimeo] DOWNLOAD 2.5K BLACKMAGIC H.264 FOOTAGE HERE (Important: on the Vimeo page for this clip, click download to get the 2.5K 80Mbit clip. Don’t bother watching it full screen from the stream as it is a pale imitation of the full 2.5k file) I’ve been experimenting today with Blackmagic Cinema Camera workflows. I use Adobe Premiere as my main NLE. I am not an FX guy so rarely use After…
Above: my first go at grading the Blackmagic Cinema Camera raw output The above frame is scaled to 660 pixels wide for the blog. Click here to view the full 2400 x 1350 frame in your browser and another full frame here John Brawley and Blackmagic Design today released the first raw DNG files from the camera. Here’s my take on how the raw camera stands up.
Above is a lightly graded and non-sharpened 1080p ProRes frame grab provided by John Brawley from his pre-production Blackmagic Cinema Camera (this one is graded by Shian). 2.5K 12bit raw will look even more detailed. Click the image for the full sized file (note, this has been compressed to JPEG format) For DSLR users thinking of moving up to the Blackmagic Cinema Camera this is an introductory guide to the biggest differences in operation…
Blackmagic Cinema Camera – meet Canon C300. Pic by BMD tester John Brawley on Twitter Blackmagic paid a visit to British pro video camera dealer CVP this week. CVP are the people I have my pre-order with and the expected shipping date of the first few units is fast approaching. Here’s what CVP had to report about the 2.5K raw shooting marvel.
In the last few weeks the already large number of options for filmmakers have been shaken up. Current cameras all seem to fall into different niches. There are the depth of field specialists – 5D Mark III and D800 with full frame sensors. There are the resolution and raw codec specialists the Blackmagic Design Cinema Camera and Red Scarlet. There’s the slow mo specialist the Sony FS700 and my personal…
Made in California – there’s a sensor that perfectly matches the specification of the Blackmagic Cinema Camera on the market. It is called the BAE Systems sCMOS (designed by silicon valley semiconductors company Fairchild Imaging who were acquired by BAE in 2011). It is capable of up to 100fps at 2.5K and features a global shutter, a sensor so powerful it is vacuum cooled.