Ridley Scott will direct the sequel to Blade Runner soon and a screenplay is currently being prepared. Find out what Scott and cinematographer Jordan Cronenweth were thinking when they shot the incredible original with anamorphic lenses.
Browsing: cinematographer
[youtube]http://www.youtube.com/watch?v=dweiGyjxhHs[/youtube] [SIZE=”5″>”As you know, it is only now because the digital format is sterile that you need the life put back in”[/SIZE] The video above is from ‘Mirror’, a film by Russian master Andrei Tarkovsky shot with USSR Lomo anamorphic glass which is now winding up on eBay. Director Tarkovsky shot the original Solaris with anamorphic lenses and is up there as one of my favourite filmmakers of all time.…
[vimeo]14642823[/vimeo] My name is Trey Vollmer and I’ve been pursuing filmmaking for three years now – I could not love it more! I also work as a full-time personal trainer here in Jacksonville, Florida. Believe it or not I have found that flexibility, strength and endurance play a key role in operating a camera. If I need a high angle I will get on top of a roof or climb…
Robert McLachlan ASC,CSC is a leading director of photography, whom’s work includes The Golden Compass, the Final Destination franchise and network TV show Human Target – www.fox.com/humantarget – on which he used the Panasonic GH1 HDSLR. I’m really pleased to bring you part 2 of my interview with Rob where we talk Human Target, Hollywood, HDSLR cameras and cinema.
EOSHD has in the last few days been talking to Human Target and Final Destination Director of Photography Rob McLachlan about the Panasonic GH1 and HDSLR shooting. Robert McLachlan ASC,CSC is a leading cinematographer based in Vancouver. Rob shot 1st unit on Final Destination, Dragonball Evolution and Fox’s network TV show Human Target. McLachlan has also completed technically ambitious 2nd unit cinematography work on The Golden Compass and additional photography…