Comment on the forum Oh look! It’s time for Canon to roll out their old chips again! The EOS RP has an identical sensor to the 6D Mark II, with a micro-lens array design more suited to mirrorless lenses. Canon openly admit in interviews that the RP cannot even do cropped 4K/30p without overheating. Even the modest bump in frame rate would have necessitated “a larger body design”, they say.…
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Technically, both shoot 10bit but the C200 is really going to be an 8bit camera for 95% of the people who use it.
This began as a 10 point list. It grew… I am huge fan of the 1D C’s image but not the camera itself and especially not the price. The 1D C when it was introduced offered an absolutely lovely image and still does but now the playing field is rapidly changing. Exactly how does the Sony A7S compare on paper to the 1D C?
Already we have 2 affordable 4K interchangeable lens cinema cameras due and we’re only a month into 2014. Red Dalsa created the first 4K cinema cameras and these were first shot with on set in 2006 (The Dalsa Origin – Wikipedia) Since then the rate of progress needed to commercialise such powerful hardware and sell it to consumers for $2000 in the case of the GH4 and $4000 for the…
The €3199 KineRAW MINI is the latest affordable raw cinema camera to be released. Featuring a 4K Super 35mm sensor it is a rival to the Blackmagic Production Camera and an alternative to shooting raw on the 5D Mark III with Magic Lantern. It shoots 2K / 1080p Cinema DNG uncompressed raw internally. Having now spent more time with the camera for the full review (coming soon), I was curious to…
To learn more about using raw video on the 5D Mark III, get your copy of the EOSHD 5D Mark III Raw Shooter’s Guide here What is the real advantage of installing Magic Lantern for raw video on your Canon DSLR, specifically the powerful full frame 5D Mark III? Is it possible to finally SHOW it? Yes it is. Here is the most in-depth comparison yet between the standard video mode…
[vimeo]http://vimeo.com/70979462[/vimeo] When I reviewed the Sony RX100 exactly a year ago it was genuinely novel. The closest image quality yet to a DSLR in a pocket camera. Can the RX100 Mark II improve enough to stay interesting?
[vimeo]http://vimeo.com/67513738[/vimeo] Fancy grading yourself? Download my pack of original files from the 5D Mark III and KineRaw S35. The file contains selected Cinema DNG frames and CineForm RAW .Mov clips from both cameras. The Kinefinity KineRaw S35 is the most complete debut camera I’ve ever seen. Packed with features, it simply doesn’t feel like an S35 version 1.0.