[vimeo]http://vimeo.com/136300528[/vimeo] Give your Panasonic GH4 LOG already with the EOSHD LOG Converter. The LOG Converter includes an instruction manual and my Canon 1D C style cinematic LUT, which is designed to mimic the Canon colour science of the 1D C for a more cinematic colour rendition on the GH4.
Browsing: grading
[vimeo]http://vimeo.com/101227369[/vimeo] Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood. Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!! I am sharing a pack of LUTs for the A7S…
Above: my sample showing no fixed pattern noise in low light at ISO 400 on the Production Camera – it’s all about the grade Almost all Blackmagic Production Camera users have experienced fixed pattern noise – a banding effect or grain texture over the image – and they are quite upset at Blackmagic over the issue. But is the fixed pattern noise problem on the Blackmagic Production Camera a case…
[vimeo]http://vimeo.com/95217701[/vimeo] My full review of the Panasonic GH4 (final retail unit) is coming next week. Until then I am enjoying Philip Bloom’s views on the camera here! A big thanks to B&H Photo & Video in the US for shipping internationally a GH4 unit with no recording limits, I got it before it was even available in Europe. Delivery took just 2 days! Impressed! Also thanks to Susanna, the star of my video…
[vimeo]http://vimeo.com/90913653[/vimeo] Test footage shot by Frank Sauer and Andrew Reid Something I have discovered while editing all this GH4 4K material is that the 8bit codec Panasonic uses is quite complex and requires more power than ProRes. I have also found that the sequence settings and video proxy settings in Premiere are a good thing to pay attention to this time… the default ones no longer cut it. Along the way…
[vimeo]http://vimeo.com/79160137[/vimeo] Download the LUT now For the full guide to the world of raw video on the 5D Mark III – order the EOSHD Shooter’s Guide book by Andrew Reid With the new version of Blackmagic DaVinci Resolve (10.0) you can grade and edit 5D Mark III raw DNG sequences, with image quality at the Adobe Camera Raw level for the first time and performance through the roof. EOSHD Film…
[vimeo]http://vimeo.com/49944730[/vimeo] This week I was loaned a GH3 body for a short time at Photokna by Panasonic. This test footage was shot in 1080/25p ALL-I mode at 72Mbit, with two slow mo-sequences of Pocahontas and the juggler shot in AVCHD 1080/50p at 50Mbit. I also had a go at grading the GH3 footage with Peter Patten of Apple.
Above: my first go at grading the Blackmagic Cinema Camera raw output The above frame is scaled to 660 pixels wide for the blog. Click here to view the full 2400 x 1350 frame in your browser and another full frame here John Brawley and Blackmagic Design today released the first raw DNG files from the camera. Here’s my take on how the raw camera stands up.