[vimeo]http://vimeo.com/136300528[/vimeo] Give your Panasonic GH4 LOG already with the EOSHD LOG Converter. The LOG Converter includes an instruction manual and my Canon 1D C style cinematic LUT, which is designed to mimic the Canon colour science of the 1D C for a more cinematic colour rendition on the GH4.
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[vimeo]http://vimeo.com/135688240[/vimeo] I have created a detailed guide to the Sony A7R II with my preferred best video settings for the camera as well as an exciting new colour-path for the camera which adds a Canon LOG style picture profile to the A7R II. This delivers much more satisfying colour and more easily than S-LOG.
[vimeo]http://vimeo.com/101227369[/vimeo] Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood. Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!! I am sharing a pack of LUTs for the A7S…
[vimeo]http://vimeo.com/79160137[/vimeo] Download the LUT now For the full guide to the world of raw video on the 5D Mark III – order the EOSHD Shooter’s Guide book by Andrew Reid With the new version of Blackmagic DaVinci Resolve (10.0) you can grade and edit 5D Mark III raw DNG sequences, with image quality at the Adobe Camera Raw level for the first time and performance through the roof. EOSHD Film…
Cinestyle has transformed my Canon DSLR and footage looks so cinematic with it. The key to good looking CineStyle footage on Canon DSLRs is a LUT curve. Here is a guide on how to do all that, with Final Cut Pro and Adobe Premiere CS5.