Super charged specs! 1-60fps 4K raw to DPX format 120fps 4K raw burst mode 240fps 2K raw continuous to Cinema DNG (would love to see the file sizes on that!!) Single 3G HD-SDI link You won’t need Sony’s own expensive raw recorder for the F5 to get 4K raw on the FS700. The camera firmware will step it up to being able to deliver 4k over a single 3G HD-SDI…
Browsing: nab 2013
Sony have revealed two very early prototype cameras at NAB. They are hybrid stills / video cameras from the pro A/V division in Japan. One is a DSLR style camera with what looks like a PL mount. Sony is also committed to developing a range of full frame cinema prime lenses.
The Panasonic GH3 was a big update over the legendary GH2 and I am putting the final touches to my review (and a lot of other future material). I’ve been shooting a lot with it alongside by cinema cameras, the FS100 and Blackmagic Cinema camera. Where are the Panasonic pro cameras? Well the GH3 is $1300 and that leaves quite a large space above it for a high spec ‘DSLR-type’…
The Cinema EOS range for pros seems to be a blazing success. It isn’t that the C300 has the best image or the best technology, it is one of those products where the yin and yang is so perfect it ‘just works’. How can Canon bring the same magic to the prosumer market?