Crews.tv have offered up full resolution frame grabs of the unfinished AF100’s compressed 24Mbit AVCHD codec against 100Mbit AVC-Intra (the latter via the camera’s HD-SDI output). With Philip Bloom generating some excitement over the over-cranked 60p capability along with what I expect will be some knock out footage shot in London anticipation over the camera is high and it’s not even finished yet!
Browsing: panasonic
[vimeo]17749667[/vimeo] Earlier this year EOSHD has varying degrees of success with the Canon 5D Mark II and Panasonic LA7200 anamorphic adapter – variable between unusable and not very good. I found the adapter worked best on the Panasonic GH1, where I was able to achieve an extremely wide angle with it. Typically for an anamorphic however, it still did not work well with shallow depth of field at fast apertures…
Above: mock up of what the LX4 might look like, with it’s range-finder style viewfinder and non-interchangable zoom lens by Leica. 43Rumors have reported that a new Panasonic ‘compact’ will be announced shortly. It sports a Leica designed rangefinder style optical viewfinder and a Panasonic Micro 4/3rds sensor, possibly from the GF1.
Above: Ichiro Kitao, product planner for Panasonic Lumix. Panasonic did a fantastic job on the GH1’s hardware, and it’s software is an impeccable creation, with really easy to use functionality. Now Tester13’s software PTools allows us to change a limited set of variables in the GH1’s firmware. It doesn’t recode anything complicated, create any new functionality or restructure anything. It’s simply doing this:
Robert McLachlan ASC,CSC is a leading director of photography, whom’s work includes The Golden Compass, the Final Destination franchise and network TV show Human Target – www.fox.com/humantarget – on which he used the Panasonic GH1 HDSLR. I’m really pleased to bring you part 2 of my interview with Rob where we talk Human Target, Hollywood, HDSLR cameras and cinema.
1. Economies of scale 40 million Canon SLR format cameras have been sold since 1987 and half of those after 2003. In 2010 digital photography is a huge market, much larger than niche Red found in the comparatively small indie filmmaking and professional production markets.
Above: Could Micro 4/3rds be shrunk even further, to catch the ultra slim NEX series from Sony? Those with a keen eye for rumours which usually turn out right, will have noticed Panasonic’s mid-term management report on 43rumors.com recently. In it, they say their aim for the interchangeable lens camera division is to make a super thin, super high image quality camera.
Every wondered how the Sony Alpha series delivers a live view image from a very small sensor in the viewfinder housing without cropping, mimicking the field of view of the main CMOS, while enabling super fast phase detect AF at the same time? (Deep breath). Well, it seems Panasonic did wonder this, and plan to bring such innovations to a range of lenses previously not fully compatible with mirror-less bodies.…