https://vimeo.com/206224022 Just look how close we are to continuous 5K RAW on this $2000 camera…
Browsing: raw video
(Thanks to A1ex for the tip off). Developer “leegong” of Nikon Hacker has made enormous progress in getting raw video from the live view function of the Nikon D5100. Early builds of the patch output raw frames to the card and A1ex of Magic Lantern has written a prototype / test DNG converter.
[vimeo]http://vimeo.com/88826657[/vimeo] In my opinion the Canon 7D is currently the best budget solution for shooting raw video. There’s plenty of used bodies going for $750 on eBay here – and that is practically a steal for 14bit raw video from a Super 35mm sized sensor… Stills camera is a mere bonus! So to the big question – does the Mosaic Engineering VAF-7D filter completely cure the 7D’s raw video of…
[vimeo]http://vimeo.com/79160137[/vimeo] Download the LUT now For the full guide to the world of raw video on the 5D Mark III – order the EOSHD Shooter’s Guide book by Andrew Reid With the new version of Blackmagic DaVinci Resolve (10.0) you can grade and edit 5D Mark III raw DNG sequences, with image quality at the Adobe Camera Raw level for the first time and performance through the roof. EOSHD Film…
The €3199 KineRAW MINI is the latest affordable raw cinema camera to be released. Featuring a 4K Super 35mm sensor it is a rival to the Blackmagic Production Camera and an alternative to shooting raw on the 5D Mark III with Magic Lantern. It shoots 2K / 1080p Cinema DNG uncompressed raw internally. Having now spent more time with the camera for the full review (coming soon), I was curious to…
Adobe have the best debayer for raw around. I still convert my 5D Mark III and Blackmagic Cinema Camera raw files from DNG to an editable format in Adobe After Effects because the end result looks better than DaVinci Resolve. Well as of today with Premiere CC update 12.1 Cinema DNG raw video is an editable format, directly in Premiere – dramatically speeding up the workflow for video shot with…
[vimeo]http://vimeo.com/72605257[/vimeo] Magic Lantern’s raw recording module for the 7D is a perfect illustration of why colour depth and dynamic range are more important than resolution. It’s also a huge step up for Canon APS-C video shooters and free.
Image by Daniel Schweinerr (5D Mark III SSD attachment research) The EOSHD 5D Mark III Raw Shooter’s Guide – book now available Raw video recording on the 5D Mark III has been met with an overwhelming reception from users and a fantastic reception from most pros. Some are more guarded as they think their camera will blow up. What are the facts?