Browsing: resolve

[vimeo]http://vimeo.com/101260603[/vimeo] I’ve had the A7S for over a week now and can share my initial thoughts, even some firm conclusions. Here’s one I’ve come to already – the Sony A7S is the best consumer camera Sony have ever made. For $2500 the video performance of the A7S sits between the FS700 ($8000) and F5 ($17,000) yet the full frame sensor lends more character and allows for groundbreaking low light performance.

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[vimeo]http://vimeo.com/101227369[/vimeo] Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood. Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!! I am sharing a pack of LUTs for the A7S…

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A professional workflow for 5D Mark III raw is now available. GoPro CineForm Raw offers 10:1 compression and can be edited directly in Adobe Premiere and Blackmagic DaVinci Resolve 9. Adobe Cinema DNG brings a Blackmagic Cinema Camera style workflow to the 5D Mark III and is ideal for grading uncompressed raw in DaVinci Resolve.

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[vimeo]http://vimeo.com/61364609[/vimeo] Read more in the first part of this article Back in November I tested the Ikonoskop A-cam dll with Rob of Slashcam.de and Ludwig Reuter of HD Video Shop here in Berlin. We spent a few hours comparing it to the Blackmagic Cinema Camera – here’s how it turned out.

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