Comment on the forum 10bit 4:2:2 H.265 shooters rejoice! How about editing 8K ProRes in DaVinci Resolve on a 13″ Macbook? There are some big claims Apple is making for their new silicon. Let’s have a closer look…
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[vimeo]http://vimeo.com/101260603[/vimeo] I’ve had the A7S for over a week now and can share my initial thoughts, even some firm conclusions. Here’s one I’ve come to already – the Sony A7S is the best consumer camera Sony have ever made. For $2500 the video performance of the A7S sits between the FS700 ($8000) and F5 ($17,000) yet the full frame sensor lends more character and allows for groundbreaking low light performance.
[vimeo]http://vimeo.com/101227369[/vimeo] Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood. Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!! I am sharing a pack of LUTs for the A7S…
The new 9.9 by 6.6 inch Mac Pro is the height of a bottle of wine and diameter of a cookie jar. Cutting edge in terms of technology it’s also a radical departure from the old models in terms of design and in my view it is going to be a huge success though I’m expecting an equally huge price tag.
A professional workflow for 5D Mark III raw is now available. GoPro CineForm Raw offers 10:1 compression and can be edited directly in Adobe Premiere and Blackmagic DaVinci Resolve 9. Adobe Cinema DNG brings a Blackmagic Cinema Camera style workflow to the 5D Mark III and is ideal for grading uncompressed raw in DaVinci Resolve.
Image source: Frank Glencairn NAB 2013 is being prepared and an eagle eyed Frank Glencairn has spotted what appears to be a giant ad board for Blackmagic’s next version of Resolve – version 10.
[vimeo]http://vimeo.com/61364609[/vimeo] Read more in the first part of this article Back in November I tested the Ikonoskop A-cam dll with Rob of Slashcam.de and Ludwig Reuter of HD Video Shop here in Berlin. We spent a few hours comparing it to the Blackmagic Cinema Camera – here’s how it turned out.
With the raw format becoming affordable for the first time this year (Blackmagic Cinema Camera, Red One, Ikonoskop) many aspiring filmmakers are considering taking advantage. But to edit raw you need to up the ante on the hardware side. What is the most suitable (and affordable) editing rig for raw – Windows, Mac Pro or Hackintosh?