I love Panasonic and the innovation they have brought to the market ever since the start of their Leica partnership in the early 2000s. They are pioneers and the result is that boring Canon are on 35% share of the market Panasonic started, and Panasonic is on a pathetic 2.5%. This clearly isn’t long term viable and I am starting to wonder if Panasonic have soft quit the market.
Browsing: s1h
Comment on the forum Panasonic S1H owners today can start recording in high-end cinema camera standard 6K 12bit ProRes RAW via HDMI to the Atomos Ninja V. Unlike many ProRes RAW HDMI outputs this one is a full pixel readout from a native 6K sensor, with dual gain circuitry and incredible low light performance. Most cameras have to pixel bin to achieve 12 bit colour depth in their 4K RAW…
https://www.youtube.com/watch?v=3yrcJOr7lyg Comment on the forum Let’s have a look at thermal management on small mirrorless cameras. The solutions shown here prevent overheating on the Sigma Fp and Panasonic S1H during long recordings. The Sigma Fp shoots 4K RAW internally from a 6K sensor and the Panasonic S1H shoots 6K internally in 10bit 4:2:2 V-LOG. Canon can learn from the design of the Sigma Fp and Panasonic S1H when it comes…
https://www.youtube.com/watch?v=joPtOgG9SeY&feature=emb_title Comment on the forum Above you can see an advert for RAW on the S1H shot in my home town of Manchester. Coincidentally these streets were where I shot with the Panasonic GH1 for the first time. I have fond memories of 10 years ago in the months leading up to EOSHD’s first blog post, taking my GH1 out on the same streets as featured in the Atomos video.…
https://www.youtube.com/watch?v=CFoUYlW3d-8&feature=youtu.be&fbclid=IwAR2wS6-jp9he0NC52r_fBx4cbYn3dpjMtK8FBX9C0rSX2IgEen9aJ8nRHr4 Comment on the forum Incredibly close between these two. I have a Panasonic S1H with me at the moment, and am getting to know it. Meanwhile the Z-CAM, I had the briefest of hands-on at IBC and will be posting some footage from it. Both cameras are capable of 6K H.265 internal recording from a full frame sensor, and both are at the lower priced-end of the pro-cinema market.
Comment on the forum How about a new kind of camera benchmark – Netflix. Their production guidelines for original 4K content have been updated to include the Panasonic S1H. According to Netflix the S1H’s image in DCI 4K mode at 400Mbit 10bit 4:2:2 ALL-I plays in the same ballpark as pro cinema cameras costing many times more.
Comment on the forum / Ask me anything The S1H is the best featured mirrorless camera on the market for filmmakers – just to put it into perspective, let’s start by summarising the entire competition as quickly as we can.