DXOMark have tested the raw sensor output of the GH4. Raw stills have 12.8 stop dynamic range vs 11.7 stops on the 5D Mark III, illustrating just how far ahead almost everyone is on sensor performance over Canon.
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[youtube]http://www.youtube.com/watch?v=lm3ULX-v04A[/youtube] View the FZ1000 at B&H or at Adorama The Panasonic FZ1000 looks like a very handy alternative to the Sony AX100 camcorder and RX10 bridge camera. It’s also the world’s first 4K camera (25p,30p) under $1k. At this price some compromises are bound to come into play and we’ll get to those in a moment. First let’s take in the rather lovely view… A 25-400mm Leica lens, 100Mbit/s codec for 4K, 120fps…
What’s the ultimate cross-breed camera of 2014? If we take all the strong points of the manufacturers and put them in one camera, what do we get? Full frame sensor from the Sony A7S 4K internal codec from the Panasonic GH4 Big EVF from Fuji and their lovely X-T1 5 axis in-body stabilisation from Olympus (working for video with any lens) Cine lenses by Sigma – their 35mm F1.4 and 50mm F1.4 are…
It looks like the story of 2014 is taking shape in the form of very high quality 4K on large sensor mirrorless cameras. Last year for me it was raw on the 5D Mark III which excited me the most and before that it was the Blackmagic Cinema Camera. This year is more exciting on the tech and creative front than any I can remember. Here’s my look at how…
As we get closer to the press conference, more unconfirmed rumours on the A7S have come in from NAB.
According to a professional DP, Canon may in fact have some excitement for us in store at NAB. (Important to note this is a rumour and may just be speculation on behalf of my source).
The KineMAX is a Super 35mm raw shooting 6K camera with 14 stops dynamic range, increasing to 16 stops in 3K mode, native ISO is 800. Impressive. I contacted Jihua of Kinefinity recently to talk about a few remaining questions I had on the recently announced KineMAX as well as the updated lower end model, now dubbed KineMINI.
Follow EOSHD on Facebook as we approach 10,000 followers! Sony have now taken their Alpha re-think to the mid-range NEX 6 mirrorless camera. For video it looks like an interesting alternative to the ageing NEX 7, adding a 16:9 screen, zebra, dedicated movie mode, new sensor and uncompressed HDMI output. It also points to some of the new features we’re sure to see on the NEX 7’s actual successor, the…