Comment on the forum Note: My camera is running firmware version 0.2! If the performance changes when updated, I will re-do the test Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition? Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5.
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https://vimeo.com/235267436 Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99) Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander These magic settings are a MUST HAVE. Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look…
The RED Helium 8K (approx. APS-H size sensor) just leapt to the top of the DXOMark charts with a score of 108.
[vimeo]https://vimeo.com/160260868[/vimeo] Leica are really going to after pro video shooters with the SL. Meanwhile RED are persuading medium format photographers to use a 6K Dragon or Weapon. A gap in the space/time continuum captain?! Step forward the next specialised tool to turn camera-chameleon: the Fuji X Pro2.
[vimeo]https://vimeo.com/155747487[/vimeo] The Blackmagic Micro Cinema Camera is the not-quite-a-replacement for the Pocket Cinema Camera. Although lacking the ready to shoot straight out of the box form factor of that camera, the new model adds a switchable rolling shutter / global shutter mode as well as high frame rates. 10bit ProRes, 12bit RAW and 13+ stop dynamic range for $995 round out the spec.
[vimeo]http://vimeo.com/150618927[/vimeo] The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec. Just how good or bad is it?
The Sony A7S II has arrived at EOSHD. Does it impress? Yes. Before my full review, I can give you an initial brain-dump of what I have noticed so far.
[vimeo]https://vimeo.com/135859807[/vimeo] When you have a Need For Speed there are two people you can call – Shane Hurlbut or Metabones. The Metabones Speed Booster adapters give us apertures as fast as F0.64 from the rare Canon EF 50mm F1.0. The XL 0.64x version fits the GH4 and turns the scruffy 2.3x crop 4K into a shiny Super 35mm unicorn. F1.2 becomes F0.88. The Ultra 0.74x version for E-mount fits the A7R II and turns…