Browsing: xavc

[vimeo]http://vimeo.com/120475177[/vimeo] Ferrari have a DNA. Cinema cameras have a DNA. You have to go back decades to see it evolve into the force it is today. For Ferrari it is the very specific engine sound and the looks. Arri are that spirit to cinema cameras. The DNA of the Sony FS7 is a compromise. Half EX1 and half cinema camera, the ergonomics of the buttons, dials and menus need a complete overhaul in my opinion. So Sony…

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The Sony F55, F5 and FS700 now have a fierce competitor for less money, and it’s not a Canon, nor is it a Red or a Panasonic. It’s one of their own, the Sony FS7. Yet this cannibalisation may be worth it because the potential market for the FS7 is enormous. It’s the fiercest arrow yet fired at Canon’s most popular interchangeable lens video camera for pros, the Cinema EOS…

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The Sony FS7 is Sony’s next e-mount Super 35mm camera, shooting 4K XAVC. Thanks to the E-mount you can use Canon EF lenses on it and the Metabones Speed Booster for when a full frame look is required. It has a 180fps slow mo mode, with an ergonomic design much improved and closer to the Canon C300, with top handle, top mounted LCD and built in ND filter. It really looks…

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The image leaked by a Chinese site (Filmaker.cn) shows what looks like a 4K XAVC recording FS700 successor. Via RedShark News Leaked blurry smartphone images are all over the web yet again! This could be the FS700 successor, although in reality we don’t know anything beyond that it records 4K to an internal XAVC codec and appears to use E-mount lenses, the leak offers some tantalising prospects…

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View the Sony F5 ‘out of the box’ specs at B&H here (and add 4K for free) Paul Ream (Twitter) has spoken about his simple unlocking technique for the F5 to unlock 4K XAVC recording. It doesn’t even require a firmware update. Via Philip Bloom on Facebook and Paul Ream on the ExtraShot Podcast

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[vimeo]http://vimeo.com/101227369[/vimeo] Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood. Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I have ever used for video. How good is it? Very!! I am sharing a pack of LUTs for the A7S…

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